Episodes
Receiving & Processing Critique
Webcomics have a lot of moving pieces, and constructive critique can be an excellent way to troubleshoot those pieces or get around road blocks. We understand that it can be scary to ask for a critique of your work, but learning how to receive and process critique can help you, and your webcomic, to improve and grow. Today we're going to talk about how to be on the receiving end of critique.
The Truth About Art School
Have you come across a creator with a style that astounds you and wished you could bottle it up for yourself? Perhaps even....devour it? Join us today as our hosts discuss the dark secret behind art school...and the truth about how they really got their webcomic powers.
Commissions and Contract Work
One of the biggest questions about making comics is: what roads are available to make money off of making comics? One direction that many creators go is commissions or contract work. Contract work is specifically entering into some kind of agreement, where someone is paying you for your comic-related skills. It can be a simple illustration commission that you draw for someone in a day, or it can be something long-term that spans years and years.
Same Face Syndrome
So here’s our scenario: you’re making your webcomic, your readers are following to the best of their ability, but you’re hearing the feedback that they can’t tell some of the characters apart. This can be about how you draw them, the styles and coloring you’re using… OR there could be aspects of your writing that are affecting how they’re perceived. For whatever reason, people are getting confused. That's what we call Same Face Syndrome and we're here to help you diagnose and treat.
Comedy
There are a lot of approaches to comedy in comics, and I wanted to get an episode together about that. Humor is OFTEN rooted in all kinds of cultural trends: current events, age groups, time periods, and styles, so it can be hard when people ask about how to learn to write comedy to find a way to talk about it! But Bob and Delphina are going to do their best today to break down at least their experience and approaches, and hopefully that’ll help you too
Buffers
We’re not here to tell you how to live your life. If you want to post every comic page as soon as you’re done with it, that’s valid. But! A buffer of comic pages can help keep your comic on a steady release schedule, set healthy reader expectations, and prevent burnout or stress during the times when you can’t be at your drawing desk as often. So let’s talk about buffers!
Jam Session! Motivation
How do you stay motivated making comics? It's a hard question, so today we're going to jam about it and see what answers we can find!
Shortcuts and Time Savers
Webcomics take so long, and while the perfectionist in our brains might tell us that we MUST do everything the long way, I think we've all pretty quickly learned that the easier you make the journey for yourself, the better. So this is going to be some quick lessons we've learned that changed our process and made life easier.
Coming Up With Names
Does your webcomic contain characters? Maybe even places? Perhaps it also needs.... a title? If any of these things are true, you've probably had to sit down and face the struggle of deciding names for the things in your comic, as well as for the comic itself. These things are important, giving vital information about tone, genre, details of setting, and all sorts of other cues to the reader... But why's it gotta be so hard? Anyway, today we're gonna talk about it!
Plotting a Webcomic
Coming up with characters and scenarios is one thing, but when you're working in a longform narrative comic, you're going to want to think about a plot. Planning out your plot in a webcomic is a unique challenge compared to some other mediums, so today we're going to talk about it!
Themes
The concept of a "theme" is something that comes up in writing when we're talking about character motivations or plot in a longform narrative comic, and it's basically a word or concept that's at the core of what you're trying to say in your story. So we're going to talk about what themes are, how they come about, and how you can use them!
Collaborative Projects
Webcomics can be a lonely road to walk if you're only ever sticking to your own story. But collaborative projects with other creators can really be worth your time! Sometimes these take the form of printed or digital releases of books or zines. Sometimes these are centered around a theme or fandom. Or sometimes they're just "your-character-here" style single graphics. Folks have done all kinds of things over the years as collaborations, and for webcomic artists, it can not only be a ton of fun, but also be a way to cross-promote to similar audiences. So let's talk about what you need to think about when starting your own collaborative projects.
Blorbology
If you are on any social media platform with artists, you may have heard the terms "OC", which stands for "original character", or "blorbo" which stands for... I don't know, I think Tumblr just made that one up. The terms evolved because creators needed a way to talk about freeform character concepting. Whether they're part of a fanfiction or just the guy you always seem to end up doodling in your sketchbook, it's often the case that in the process of drawing and experimenting with scenes for these characters for fun, they really can develop cool backstories and deep emotional meaning in the creators' minds, and that's what we're calling "Blorbology".
Getting Started (2025 Edition)
Whether it's your first and only webcomic or one of many that you're planning, preparing to launch a new comic can take a lot of thought! You'll be thinking about things like organizational aspects (which is getting your art and story plans ready), technical aspects (which includes hosting that works for the scope of your comic), the timing and how you get the word out once you're finally ready to launch.
Update Schedules
Many webcomics work in a serialized fashion, updating with a page a week or batch of pages every so often, and this is something we probably borrowed from newspaper comics and issue format comics. With that, we wanted to talk about what it's like to keep up with our own schedules, expectations with retaining readership, and the process involved with sticking with something that works for you.
The Intro "DO IT (feat. Shia LaBeouf)", and the Outro "It's Good To See You Again!!", both by Adrianwave, have been used and modified in good faith under the Creative Commons Attribution-Share Alike 3.0 Licensed. Edits include: Fade IN/OUT, and a repeat added to the beginning of "It's Good To See You Again!!". For more information on this creative commons use, please reference https://creativecommons.org/licenses/by-sa/3.0/